Appendices
6. BIBLIOGRAPHY - Sources
- The format of this bibliography is based on that prescribed for Grove 6 but in alphabetical order of author's surname.
- Titles of books and periodicals are in italics, titles of articles are in single inverted commas; volume numbers are in roman; issue numbers and pages in arabic numerals, separated by a colon.
- Abbreviations are expanded in Appendix 1.
- There may follow, in respective brackets, the place and date of publication, further details to help identification, and the British Library catalogue number.
- A second edition in, say, 1949, is shown '2/1949'; a 1949 reprint would be shown 'R/1949'.
- J.A. van AALST, Chinese Music (New York, 1884, R/1964) (Paragon)
- Djilda ABBOTT & Ephraim SEGERMAN, 'Strings in the 16th and 17th centuries', GSJ, xxvii, (1974) (see also Segerman & Abott,1976)
- Hülphers ABRAHAMSSON, Historisk Afhandling om Musik och Instrumenter... (Westerås, 1773)
- Martin(us) AGRICOLA, Musica Instrumentalis deudsch (Wittenberg 1528, 1529, 1545; R/1896) (BL Ac.5144/2)
- Mohanlal AlMA, Sangeet Natak xi; 69- 73 (Jan- March 1969, New Delhi)
- Mohanlal AlMA and David LEWISTON, Kashmir: Traditional Songs Dances, LP sleeve notes (New York, 1974) (Nonesuch)
- Tiberiu ALEXANDRU, Instrumentele Muzicale ale Poporului Romin (Bucuresti, 1956).
- Edward ALLWORTH, Central Asia: A Century of Russian Rule
- August Wilhelm AMBROS, Musikgeschichte, i (Breslau, 1862)
- American (Revised Version of the Bible (The) (New York, 1885, 1901)
- Otto ANDERSSON, The Bowed Harp (London, 1930) (Wm Reeves)
- ANON, Dit is ee seer Schoô Boecxke (Antwerp, 1568) (Jan van Ghelen) (R/1973, Amsterdam) (Frits Knuf)
- ANON, 'Fran Medelpad: en Storlekstuga', Svenskt Landsmål i; 581 (Nov 1879) (Landsmålsföreningsfest i Upsala)
- ANON, Livre Plaisant et tres utile pour apprendre... les Manicordion/Luc/et Flutes (Antwerp, 1529) (Guillaume Vorsterman) (R/1973, Amsterdam) (Frits Knuf)
- Fivos ANOYANAKIS, Instruments de musique populaires grecs (Athens, 1965) ("Ministère de l'Education Nationale et des Cultes")
- Willi APEL, Harvard Dictionary of Music (London, 2/1970) (Heinemann)
- Willi APEL, Masters of the Keyboard (1947) (Harvard University Press)
- ARNAUT de Zwolle, see le CERF.
- Denis ARNOLD, 'Instruments and Instrumental Teaching in the early Italian Conservatories', GSJ xviii; 76f (1965)
- Anders ARREBO, K Davids Psalter Sangviisz udsat under hundrede og nogle Melodier og Toner, etc. (Copenhagen, 1623)
- Maximilian AXELSSON, Vesterdalarne dess natur folklif och fornminnen, viii; Rämens Finnnmark (Stockholm, n.d.)
- F.J.J. van BAARS & J.G.J.A. van der SCHOOT, Engels Nederlands woordenboek (Utretcht/Antwerpen, 1969) (Prisma)
- Anthony BAINES, Bagpipes (Oxford) (1973 (revised edition)) (Pitt Rivers Museum)
- Anthony BAINES, European and American Musical Instruments (London, 1966) (Batsford)
- Anthony BAINES, Musical Instruments ii: Non- Keyboard Instruments (London, 1968) (HMSO)
- Anthony BAINES, Musical Instruments through the Ages (London, 1961, 1966, 1969) (Penguin)
- London BALLAD Society, Captain Cox his Ballads and Books (London, 1871) (Taylor & Co.) (BL AC 9928/3)
- Jerzy BANACH, Tematy Muzyczne w Plastyce Polskiej (Warsaw, 1957) (Polskie Wydawnictwo Muzyczne)
- J. Murray BARBOUR, 'Nierop's Hackebort', MQ xx, 1; 312- 319(1934)
- John BARET, An Alvearie or triple (quadruple) dictionarie (London, 1573, 1580)
- Chr. BARKER (Printer), The Bible (London, 1599)
- Carl Maria BELLMAN, Samlade Skrifter (Stockholm, 1861)
- Jonas BERG & Bo LAGERCRANTZ, Scots in Sweden (Edinburgh, n. d.) (Royal Scottish Museum)
- Alfred BERNER, 'Hebenstreit', MGG
- Nicholas BESSARABOFF, Ancient Musical Instruments: An Organological Study.. (New York, 1941) (October House Inc.)
- George BIGGAR, 'Mountain Music Plus', Old Time Music iii (London, Winter 1972/3)
- James BLADES, Percussion Instruments and their History (London, 1970 ) (Faber)
- W.BODE, Die Tonkunst in Goethes Leben i (Berlin, 1912)
- Filippo BONANNI (also Buonanni), Antique Musical Instruments and their players 152 plates from Gabinetto Armonico 1723 (New York, 1964) (Dover)
- Filippo BONANNI (also Buonanni), Gabinetto Armonico (1716, 1722, 1723 dome, ), (BL Hirsch iv 1476, (1722); 59a14 (1723)
- La BORDE - see LABORDE
- Hubert BOONE, Hakkebord, MS, notes for an unfinished thesis (Brussels, 1973)
- Hubert BOONE, 'De Hommel in de Lage Landen', The Brussels Museum of Musical Instruments Bulletin v. (Brussels, 1975)
- Howard Mayer BROWN, 'An Archive for Iconographers', TLS (21/6/74) p.660
- Howard Mayer BROWN & Joan LASCELLE, Musical Iconography: A Manual for Cataloguing Musical subjects in Western Art before 1800 (1972) (Harvard Univ Press)
- R.F. BROWN, Collins Spanish Gem Dictionary (London, 1957)
- Charles Faulkner BRYAN, 'American Folk Instruments: II, The Hammered Dulcimer', Tennessee Folklore Society Bulletin xviii,1; 1.5 (March 1952)
- Alexander BUCHNER, Folk Music Instruments of the World (Prague, 1971) (Octopus Books)
- Ann I BUCKLEY, The Tiompán (MA thesis, Univ Coll Cork 1972) ref. 1027)
- BUONANNI - see BONANNI
- Charles BURNEY, Diary (BL Add. 35l22.c) p.52f ; see GLOVER
- Bruce BUURSMA, 'Roll over Beethoven: the dulcimer crowd at Interlochen' Wonderland: The Sunday Press Magazine (20.5.1973) (Grand Rapids, Mich. USA)
- Henry Holland CARTER, A Dictionary of Middle English Musical Terms (Bloomington, Ind., 1961) (Indiana Univ. P.) (R/1968) (Kraus Reprint Corp.)
- Justin H. McCarthy, ed., Arabian Nights (London, 1887) (Waterlow & Sons)
- Cassell's Latin Dictionary (London, 1887) (24/1946)
- A.C. CAWLEY, ed. Chaucer: Canterbury Tales (London, 1958) (Dent)
- CEOL TIRE (Newsletter of the Folk Music Society of Ireland) (Dublin)
- G. Le CERF, Les Traites d'Henry-Arnaut de Zwolle et divers anonymes (Paris, 1932)
- Chambers' Twentieth Century Dictionary (1972)
- William CHAPPELL, Popular Music of the Olden Time (London, 1859) (Chappell) (R/1965, Dover)
- H. CHARNASSE 'Tympanon', La Musique 374 (Paris, 1965) (La Rousse)
- Francois Abbaye de CHATEAUNEUF, Le Dialogue sur la Musique des Anciens (Paris, 1725)
- Albert CHATTERLEY, ''... And on her Dulcimer she played", Music in Education (Jan, Feb 1969)
- Antoine-E. CHERBULIEZ, 'Quelques Observations sue le Psaltérion (Tympanon) populaire Suisse: "Hackbrett"', JIFMC (1960) 23- 27
- Félix CLEMENT, Histoire de la Musique (Paris, 1885) (Hachette)
- J. McCOLVIN, Central Music Library Classification (London n.d.)
- Maurice COURANT, 'Chine et Corée' in Lavignac, Encyclopedie de la Musique i; 180 (Paris, 1921)
- Captain COX, see BALLAD Society
- Henry COWELL & M. HAMAJON, Music of Iran (LP notes) (New York, n.d.) (Lyrichord LL- 135)
- Eugene O'CURRY On the Manners & Customs of the Ancient Irish (London, 1873)
- O.M. DALTON, Catalogue of the Ivory Curtains of the Christian Era .. in the .. British Museum (London, 1909)
- Alain DANIELOU, A Catalogue of Recorded .. Indian Music (Paris, 1952)
- Alain DANIELOU, Greece Traditional Music, LP Sleeve notes (1974) (Musical Atlas, Unesco, EMI Italy)
- W. DAWSON et al., Book of Common Prayer (Oxford 1798)
- Valentin DENIS, trans. (ACB?), 'Musical Instruments in Fifteenth century Netherlands and Italian Art', GSJ, ii; 32 (1972)
- DIDEROT & d' ALEMBERT, 'Art du Faiseur d' Instruments de Musique et Lutherie', Encyclopedie Methodigue (Paris, 1785) (R/1972, Geneva) (Minkoff Reprint)
- P.S. DINNEN, Dictionary (Dublin, 1927) (Education Co. of Ireland)
- Robert DONINGTON, 'Instruments', Grove 5 (London, 1954) (Macmillan)
- Robert DONINGTON, The Instruments of Music (London, 1949) (Methuen)
- Robert DONNINGTON, 'James Talbot's Manuscript' , GSJ iii; 27ff (1950)
- Klaas DOUWES, Grondig ondersoek van der toonen der musijk (Franeker, 1699)
- H.- H. DRÄGER & W. WÜNSCH, 'Hackbrett', MGG
- Ezra DURAND, Dulcimer without a Master (Boston Mass, 1867) (Oliver Ditson)
- Robert A. DUTCH, Roget's Thesaurus, (London, 1953)
- Peter EDEN, Waterways of the Fens (Cambridge, 1972) (limited edition)
- Carl ENGEL, Descriptive Catalogue of the Musical Instruments in the South Kensington Museum (London, 1874)
- Annedore EGERLAND, 'Das Pantalon', Die Musikforschung xxiii, 152- 159 (1970)
- J. Philipp EISEL, Musicus Autodidactos Oder Der Sich selbst informirende Musicus bestehend Sowohl in Vocal als üblicher Instrumental-Musique... (Erfurt, 1738)
- Gustav S. ERIKSSON, ed., Julseder, i (Stockholm, 1928- 1934)
- Lajos EVVA, 'Czimbalom és tárogato', Zeneszti Lapok xvi; 19- 21 (Budapest, 1876)
- Henry George FARMER, The Minstrelsy of the Arabian Nights (Bearsden, 1945)
- Henry George FARMER, 'Mi'zaf' ('Open- string instruments'), Encyclopaedia of Islam iii; 530 (Leyden, 1913- 38)
- Henry George FARMER, 'Santir', Grove 5, 404- 5 (1954) (MacMillan)
- Henry George FARMER, Studies in Oriental Instruments (London 1931)
- Henry George FARMER, Turkish Instruments of Music in the 17th century as described in the Siyahat nama of Ewlíyá Chelebi, translation edited with notes (Glasgow, 1937) (Civic Press)
- F.J. FETIS, Biographie Universelle des Musiciens iii (Paris, 1862)
- F.J. FETIS, Histoire Generale de la Musique (5vv) (Paris,l867- 76)
- I.F. FINLAY, 'Musical Instruments in 17th-century Dutch paintings', GSJ vi; 52 (1953)
- Claude FLAGEL, La Vielle, LP notes (Paris, 1973) (Chant du Monde)
- John FLORIO, A World of Words or most copius and exact dictionarie in Italian and English (London, 1598)
- Russell FLUHARTY, The Dulcimer Story (Mannington, W.Va., 1964) (pub. author)
- Lewis FOREMAN, Archive Sound Collections an interim directory (Aberystwyth, 1974) (College of Librarianship, Wales)
..- W.H. FRENCH & C.B. HALE, Middle English Metrical Romances (New York, 1930) (BL: 11623 e 34)
- Antoine FURETIERE, Dictionnaire Universel (The Hague, Rotterdam 1698, 1701, 1727) (BL 630m.1- 3)
- Gadelica (Dublin, 1912- 1913) (Hodges & Figgis) (Scandinavian Library, Univ. Coll.: Whitley Stokes 110h)
- Francis W. GALPIN, Old English Instruments of Music (London, 3/1932 (Methuen)
- Francis GALPIN, A Textbook of European Musical Instruments (London, 1937) (Williams & Norgate)
- Peter GAMMOND, Musical instruments in colour (Blandford, 1975)
- H. in der GAND, Volkstümliche Musikinstrumente in der Schweiz (Basel 1937)
- Milovan GAVAZZI et al., Tradicijska Narodna Glazbala Jugoslavije (Traditional Folk Instruments of Jugoslavia) (Zagreb, 1975) (Skolska knjiga, Masarykova 28)
- Karl GEIRINGER, Musical Instruments (London, 1943)
- Brigitte GEISER, J.H. v.d. MEER, K.- H. SCHICKHAUS, Des Hackbrett: ein alpenländisches Musikinstrument (Herisau/Trogen 1975) (Verlag Schläpfer & Co.)
- Brigitte GEISER, Das Hackbrett in der Schweiz (Schriften des Stockalper-Archivs in Heft 25) (Visp, 1973)
- Brigitte GEISER, 'Die Zithern der Schweiz', Nachrichten der Gesellschaft der Freunde alter Musik- instrumente (Zurich, 1974)
- Paul GIFFORD, 'Development of the Hammer Dulcimer', Mugwumps instrumental Herald iii,5; 19- 23 (Sept, 1974)
- Cedric GLOVER, Dr. Charles Burney's Continental Travels 1770-1772 from his journals and other sources (London, 1927) (Blackie) BL.010107.h.32)
- F. GODEFROY, Dictionnaire de l'Ancienne Lanque Francaise et de tous ses dialectes du IXe au XVe siècle (Paris, 1881- 1902)
- (GPC) Geiriadur Prifysgol Cymru/A Dictionary of the Welsh Language (Cardiff, 1950) (Univ. Wales Press)
- James GRASSINEAU, gent., A Musical Dictionary being a Collection of Terms and characters being as well ancient as modern Including the historical theoretical and practical parts of music (London, 1740, 1769 (1784- rev. & retitled) ("Printed for J. Wilcocks at Virgil's Head opposite the new church in the Strand 1740") (BL 1042.g.4.)
- Nancy GROCE, 'The Hammered Dulcimer in America', (unpublished ms submitted to GSJ)(1976)
- J. GROSSIER, 'L'Epinette dans la vallée des Lacs', Au Pays des Lacs: arts et traditions des Hautes-Vosges (Gérardmer, 1960)
- Donald Jay GROUT, A History of Western Music (New York 1960)
- GYLDENDLS, Store Konversasjons Leksikon (Oslo, n.d.)
- C. HAIGHT, A Complete System for the Dulcimer (New York, 1848) (William Hall)
- Eric HALFPENNY, 'An Eighteenth Century Trade List of Musical Instruments', GSJ, xvii (1964)
- Colin HAMILTON 'John Rea', Slow Air i, 2; 3 (Belfast June 1976)
- Joszef HARRACH, 'Cimbalom a zenekarban' ('Cimbalom in the Orchestra'), Ellenör (Budapest, 24.5.1877)
- Frank HARRISON, Time, Place and Music: An anthology of Ethnomusicological Observation (Amsterdam, 1973) (Frits Knuf)
- Arthur HARTMAN, 'The Czimbalom, Hungary's National Instrument', MQ, ii; 590- 600 (1916)
- Dieter HÄRTWIG, 'Hebenstreit', Grove 6 (for 1968)
- Dieter HÄRTWIG, 'Noëlli',; 1547f
- Paul HASLUCK, ed., Violins and other stringed Instruments: How to Make Them (London, 1906, 1914) (Cassell Work Handbook Series)
- Stephen HAWES, ed. Wm. Mead, Pastime of Pleasure (London, 1928) (OUP) (BL Ac.9925/129; 9927/127)
- Sir John HAWKINS, A General History of the Science and Practice of Music (London, 1776) (R/1875, Novello)
- Eleanor G. HAYDEN, Travels Round our Village (London, 1905) (Archibald Constable & Co)
- Per-Anders HELLQUIST, Musik-Motiv i Sveriges Kyrkokonst före år 1600 MS (Stockholm 1957) (MHM )
- Asbjørn HERNES, Impuls og Tradisjonjon 1500-1800 (Oslo, 1952)
- The English HEXAPLA (London 1841; Samuel Bagster)
- Joseph HICKERSON, A Bibliography of Hammered and Plucked Dulcimers and Related Instruments (Washington DC, 1973) (Library Of Congress ref. 1/22/73)
- Geoffrey HINDLEY, ed., Larousse Encyclopaedia of Music (London) (Hamlyn)
- A.J. HIPKINS, et al., 'Psaltery', Grove 5 (London, 1954) (Macmillan)
- G. HIRTH, Liebhaberbibliothek alter Illustrationen, iv (Munich, 1880- 1903)
- John HOLLANDER and Frank Kermode, The Literature of Renaissance England (New York, London, 1973: OUP)
- Peiggy HOLROYDE, Indian Music (London, 1972) (George Allen & Unwin)
- Peter ten HOOPEN & Eden NABY, Afghanistan Music from the crossroads of Asia LP. sleeve notes (New York, 1973) (Nonesuch H- 72058)
- Karl HORAK, 'Instrumentale Volksmusik', Osterreichische Musikzeitschrift ix (Vienna, 1966)
- Eric von HORNBOSTEL & Curt SAHS, 'Classification of Musical Instrument: translated from the Original German by Anthony Baines & Klaus P. Wachsmann', GSJ xiv; 3- 29 (1961)
- Henry HUDSON, The Mediaeval Woodwork of Manchester Cathedral (Manchester, 1924) (Sherratt & Hughes)
- Richard HULAN, 'Hunting and Taming the Native American (or Hammered) Dulcimer', Newsletter of the Folklore Soc. of Greater Washington, v,6; 6- 9 (Feb 1969)
- A. HUMENJUK, Ukrajins'ki narodni muzychi instrumenty (Kiev, 1967)
- Edgar HUNT, 'Some Light on the Chalumeau', GSJ xiv (1961)
- G.O. HYLTÉN- CAVALLIUS, Wärend och Widarne ii (Stockholm, n.d.)
- IHLEE & SANKEY (pub.), Diagram and Scale of the Dulcimer with 32 notes (London, 1885) (BL s.sh.fol.I 600(9))
- Susi JEANS & Guy OLDHAM, 'The Drawings of Musical Instruments in MS Add.30342 at the British Museum', GSJ, xiii; 26- ff (1960)
- Jean JENKINS (1) Musical Instruments (London, 2/1970) (Horniman Museum)
- Jean JENKINS (3) Music in the World of Islam iii Strings, L1 notes (London, 1976) Tangent
- ibid iv, Flutes & Trumpets.
- JONES, Edward, Musical and Poetick Relicks of the Welsh Bards (London, 1794)
- Lura Jafran JONES, The Persian Santur: a Description of the instrument together with an analysis of the Four Dastgah (MA diss., U. of Washington, 1971)
- W. KAHL, 'Das Nürnberger historische Konzert v.1643', Archiv für Musikwissenschaft xiv (1957)
- Walter KAINZ, Hackbrettfibel (Voitsberg, 1951, 2/1954) (Verlag der Arbeitsgemeinschaft für Volksmuslk- pflege in Steiermark )
- Stavrou KARAKASI, Hellenika Mousika Organa (Athens, 1970)
- Richard KARUTZ, Atlas der Völkerkunde ii: Die Völker Europas (Stuttgart, 1926) (Franckh'sche Verlagshandlung) (BL 10007. W.l4)
- (Jean) Georges KASTNER, Les Danses des Morts, dissertations et recherches historiques philosophiques litteraires et musicales. (Paris, 1852) (BL 1266.f.5)
- Douglas KENNEDY, ed., Community Dances Manual ii (London, 1949) (EFDSS)
- Peter KENNEDY, ed., The International Folk Directory of Ethnic Music and Related Traditions (Dartington, 1973) (Institute of Trad. Arts, Dartington, Totnes, Devon)
- Peter KENNEDY, ed.,The Second Fiddlers Tune Book (London, 1954) (EFDSS)
- James KERR, Kerr's Caledonian Collection (Glasgow, n.d.) (James Kerr)
- David KETTLEWELL, "All the Tunes that Ever there were ..." (Tisbury, Wilts., 1975) (Spoot Books)
- David KETTLEWELL, 'First Steps on the Dulcimer', Early Music ii,4; 247- 253 (1974)
- David KETTLEWELL, "That's What I Calls a Striking Sound...", English Dance & Song xxxvi, 2; 5Of; xxxvi, 3; 96- 98 (1974) (R/1976, DPN ii, 2; 37- 41)
- Georg KINSKY, A History of Music in Pictures (London, 1930)
- Georg KINSKY, Katalog Musikhistoriches Museum von Wilhelm Heyer, ii Strings (Cöln, 1912)
- Athanasius KIRCHERUS (= Kircher), Musurgia universaiis sive Ars Magna consoni et dissoni ('The whole science of music or the great art of consonance and dissonance') (Rome, l650) (BL - 59.e.19 & Hirsch 1.266)
- Hugo KLEIN, 'Cymbal und Cymbalschläger', Zeitschrift für Instrumentenbau vi, (Leipzig, 1885- 6)
- Gösta KLEMMING, How to Tune and Play the Hummel (MS, Göteborg, privately circulated, n.d.)
- Gösta KLEMNING, 'Hummeln - en gammal Brädcittra', Tjustbygdens Kulturhistoriska Förenings Årsbok (Stockholm, 1958)
- Karl M. KLIER, Volkstümliche Musikinstrumente in der Alpen (Kassel, 1956)
- KLIER, N.S., Jahrbuch des Osterreichischen Volksleidwerkes XV (Vienna 1966)
- H. KLING, Modern Orchestration and Instrumentation or The Art of Instrumentation (New York, 1902, 1905) (Fischer)
- KLYMASZ, 'Ukrainian Music in Canada', Ethnomusicology, xvi; 372- 380
- Charles KNIGHT ed., The English Cyclopaedia: A New Dictionary of Universal Knowledge iii,v (London, 1860) (Bradbury ã Evans)
- Thorkild KNUDSEN, 'Notes on Folkmusic Research', DFS Information 68/1 (Copenhagen, May 1968) (Dansk Folkemindesamling)
- K.S. KOTHARI, Indian Folk Musical Instruments (New Delhi, 1968)
- Nikos KOZANTZAKIS (tr. Carl Wildman), Zorba the Greek (Oxford, 1959) (Bruno Cassirer)
- Jaap KUNST, Music in Java (The Hague, 1949)
- Ignatz F.X. KÜRZINGER, Getreuer Unterricht (1763)
- Jean Benjamin de LaBORDE, Essai sur la Musique (Paris, 1780) (BM: 59.a.l6- l9)
- Wilhlem LANGHAM, Die Geschichte der Musik des 17. 18. und 19. Jahrhunderts, i. (Leipzig, 1882)
- John LEACH 'The Cimbalom', ML, liii; 134- 142 (April,1972)
- John LEACH 'The Dulcimer', The consort, xxv; 390- 395 (1968- 9)
- John LEACH 'Stravinsky and the Ciinbalom', Composer, xl; 1- 5
- O.K.LEDANG 'Instrument- Player- Music on the Norwegian Langeleik', Studia Instrumentorum Musicae Popularis (Stockholm, 1974)
- J. LEMPRIERE, Classical Dictionary (London 1815)
- Ladislav LENG, Slovenské l 'Udové Hudobé Nástroje Vyadavatel stvo Slovenskej Akadémie Vied (Prague, 1967)
- Charlton LEWIS, A Latin Dictionary for Schools (Oxford, 1889)
- LEWIS & Short, A Latin Dictionary (Oxford, 1879, 1962)
- LIDDELL and Scott, Greek-English Lexicon (abridgement, Oxford 1887)
- Jan LING, Nyckelharpan Studier i ett folkligt musikinstrument, with an abbreviated version in English 'The Keyed Fiddle: Studies on a folk instrument' (tr. Patrick Hort) (Stockholm 1967)
.- Jan LING, Svensk Folkmusik (Stockholm, 1964) (Prisma)
- William LITTLE, ed., The Shorter Oxford English Dictionary (Oxford, 1933, 3/1944, corr/1972)
- A.L. LLOYD, 'Folk Instruments of Romania, vi: The Cimbalom', The British-Rumanian Bulletin (?1958)
- J. LOW, An Instructor for the Dulcimer (Boston, 1858) (BL a.300(7))
- Ottomarus LUSCINIUS (= Othmar Nachtigall), Musurgia seu Praxis Musicae ('Musical science, or the Practice of Music') (Argentorati (= Strasbourg), 1536), (BL.K.l.h.14)
- Jacob Wilhelm LUSTIG, Inleiding tot de muziekkunde ('Introduction to music') (2/1771)
- Victor MAHILLON, Catalogue ... du Musée Instrumental (Brussels, 1893- 1912)
- William P. MALM, 'A Computor Aid in Musical Instrument Research', Studia Instrumentorum Musicae Popularis iii ed. G.Hilleström (Stockholm, 1974)
- Janos MANGA, Hungarian Folk Song and Folk Instruments 'Hungarian Folk Art, 2' (Budapest, 1969) (Corvinna Press)
- Ruth MANNING- SANDERS, A Book of Sorcerers and Spells (London, 1973) (Methuen Children's)
- John MAPLET, A greene forest or a naturall historie .. (London, 1567)
- Sybil MARCUSE, Musical Instruments A Comprehensive Dictionary (New York, 1964) (Doubleday & Co) (London, 1966) (Country Life)
- Sybil MARCUSE, A Survey of Musical Instruments (Newton Abbot, 1975) (David & Charles)
- Gregory MARTIN & Mia GINOTTI, The Complete Paintings of Bosch: Classics of World Art (London, 1969) (Weidenfeld & Nicholson)
- Havelock MASON, Turner's Universal Tutor for the Dulcimer (London, 1908) (John Alvey Turner) (BL f.760.f.(6))
- Phillip MASON (1), Hammered Dulcimer Catalogue (Bangor Maine, 1975?) (10 stencilled pp)
- Phillip MASON (2), How to Tune and Play the Hammered Dulcimer (Bangor, Maine, 1975?) (16 stencilled pp)
- J. MATTHESON, Criticae Musicae d. i. Grundrichtige Untersuch- und Beurtheilung ii (Hamburg, 1722- 25) (BL 556.b.6(ll))
- J. MATTHESON, Neu-eröffnete Orchestre (Hamburg, 1713) (BL 7897. a.44)
- James E. MATTHEW, A Manual of Musical History (H. Grevel & Co.) (London, 1892)
- McCARTHY - see (Mc) CARTHY
- McCOLVIN - see (Mc) COLVIN
- John Henry van der MEER, ed. Livre Plaisant and Dit is eê seer Schoô Boecxke (1529 & 1568) ( R/1973, Amsterdam) (Frits Knuf)
- John Henry van der MEER 'Zither' MGG; 1341, 1353f, 1359ff (Kassel, 1968)
- Henry C. MERCER, 'The zithers of the Pennsylvania Germans', A Collection of Papers Read before the Bucks County Historical Society, v. 482- 497 (1926)
- Marin MERSENNE, Harmonie Universelle (Paris, 1636) (R/l965, Centre Nationale de la Recherche Scientifique, Paris)
- Pablo MINGUET Y YROL, Reglas y Advertencias .. tañer los instrumentos mejores / Academia musicál de los instrumentos (Madrid, 1752- 4)
- Howie MITCHELL, The Hammered Dulcimer, book and LP record (Sharon, Conn. /197l) (Folk Legacy )
- MITJANA, 'XVIII Siecle - Espagne' in Lavignac, Encyclopedie 2241- 2245 (1922)
- James MOFFAT, A New Translation of the Bible (New York, London 1922)
- Pierre MONICHON, Petite Histoire de l'accordeon (n.d., via Hubert Boone)
- Jeremy MONTAGU & John BURTON, 'A Proposed new classification system for musical instruments' Ethomusicology xv, l; 49ff (Jan 1971)
- Faye Witt MORELAND, Green Fields and Fairer Lanes - Music in the life of Henry Ford (Tupelo, Miss., 1969) (Five Star Publishers)
- (MORTIMER), 'Mortimer's London Universal Directory' 1763, GSJ ii; 30(1943)
- Richard G. MILTON, The Modern Reader's Bible (New York, 1895)
- Kate MÜLLER- LISOWSKI, ed., Irische Volksmärschen Die Märschen der Weltliteratur (Jena, 1923) (Eugen Diederich)
- David MUNROW, Instruments of the Middle Aces and Renaissance (London, 1976) (OUP)
- Peter & Linda MURRAY, A Dictionary of Art and Artists (London, 1959M/1972)
- "S.N.", A Concordance to the Holy Scriptures (Cambridge, 1662) (Univ. Press)
- NACHTIGALL - see LUSCINIUS
- Edward NAYLOR, Shakespeare and Music (London, 1896)
- Bruno NETTL, 'Nour- Ali Boroumand: A Twentieth- century Master of Persian Music'. Studia Instrumentorum Musicae Popularis iii ed. Gustav Hilleström (Stockholm, 1974)
- Bruno NETTL, Theory and Method in Ethnomusicology (New York, 1964) (Free Press of Glen- Coe, MacMillan)
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